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Limited editions and unique works across linocut and cyanotype.

Selected Editions

The Ordinary Objects — Linocut by Anisha Khanduja View Details
Linocut

The Ordinary Objects

2026
Circle I — Cyanotype by Anisha Khanduja Circle II — Cyanotype by Anisha Khanduja View Details
Cyanotype

Circle

2026

All Print Work

Select a medium below to see full artwork.

Linocut Relief Editions

Anisha Khanduja hand-carving linocut relief plate and test proof
Studio Process · Relief Carving

Carving Light from the Shadow of the Block

Linocut is a demanding subtractive printmaking discipline where every cut into the block is permanent and deliberate.

01
Drawing & Inversion:

The composition is drafted and transferred in mirror-image onto the linoleum matrix, balancing positive black forms with negative spatial rhythm.

02
Hand Gouging:

Hand-carved across dozens of hours into the block. Raised untouched surfaces retain ink while carved recesses preserve pure paper.

03
Inking & Burnishing:

Artist-grade ink is rolled in smooth layers. Paper is aligned and hand-burnished under firm, even pressure.

Cyanotype Editions

Cyanotype sun printing and solar exposure by Anisha Khanduja
Studio Process · Sun Printing

Painting with Sunlight & Prussian Blue

First formulated in 1842 by Sir John Herschel, cyanotype is an alternative photographic printmaking process using natural sunlight to transform minerals into deep indigo blues.

01
Sensitizing the Paper:

Watercolor paper is hand-coated in subdued light with an emulsion of ferric ammonium citrate and potassium ferricyanide, then cured in darkness.

02
Solar Exposure:

Botanical specimens and hand-cut silhouette forms are placed in direct contact atop the dry paper and exposed to midday natural ultraviolet rays.

03
Water Wash & Oxidation:

The exposed sheet is thoroughly washed in cold running water to clear unexposed emulsion, deepening into its rich Prussian blue tone through natural air oxidation.