My practice is rooted in looking closely at what surrounds us at the ordinary things, spaces and symbols that often disappear through familiarity.

Micro Spaces in Macro Environments grew during covid from this way of looking: an exploration of how small spaces, everyday objects and fragments can hold the character, memory and atmosphere of a larger world.

Working across painting and printmaking, I move between observation and imagination, reduction and abundance, the familiar and the symbolic.

Repetition is central to my process; in my ongoing Shiva series, the repeated symbols becomes a gesture of meditation, where rhythm gives way to stillness.

My paintings explore colour, pattern and an Indian maximalist sensibility, while my prints often use the discipline of the hand, carving and repetition to find quiet within complexity.

Across these different forms, I return to the possibility that the closer we look, the more there is to see.